Over the last few
months of dining out, I decided it was finally time to learn more about my favorite beverage
– sparkling wine. New York City is a superb place for formal wine education, so
I signed up for several sparkling wine classes, and now I’d like to share some
of what I learned with all of you.
Ditch the Flute
Shari explained that much of what we taste comes from what we smell, which is why taking in the nose of your wine is so essential. Flutes came about in Gallo-Roman times, but in the 19th century the coupe was popularized, as catering staff could serve the short glasses more easily. However, the coupe has a wide, shallow bowl that doesn’t retain aromas and bubbles particularly well, so the flute once again became the go-to glass for sparklers.
The flute is an elegant, tall, and narrow glass that better protects the bubbles, yet the lack of surface area, particularly at the opening, obstructs the wine’s nose. The flute, therefore, while superior to the coupe, still has its shortcomings. The solution: a standard (non-Chardonnay) white wine glass. The bowl is deeper and narrower than a coupe, helping to preserve the bubbles, but the bowl and opening are wider and shallower than a flute, allowing for greater aromatic expression. I may sound like a snob requesting that my sparkling wine be served in a white wine glass, but who cares? As long as I’m able to fully enjoy my bubbly!
Sparkling Wine ≠ Champagne
My Favorite Champagne Pierre Peters Les Chétillons 2006 |
Sparklers
from different regions of the world take on different names and use a variety
of grapes and production methods unique to their terroirs. A sparkling wine
produced in France outside of the Champagne region is a Crémant. Spanish
sparklers are called Cava, Italy produces Prosecco, Asti Spumante,
Franciacorta, and Lambrusco, and the rest of the bubbly bunch are simply
referred to as sparkling wines.
All
sparkling wines are produced under laws of appellation: strict laws determining
which grapes are grown in the terroir and used in the wine, as well as the
method of production. For example, many Italian sparklers are produced from
grapes like Glera, Moscati, and Lambusco, among others, and by the Charmat
Method, which entails a second fermentation of the wine in steel tanks. On the
other hand, Champagne must be
produced from any combination of Chardonnay, Pinot Noir, and Pinot Meunier
grapes and only by the Méthod Champenoise (a.k.a. Méthode Traditionnelle).
More About Méthode Champenoise
Riddling Racks |
After aging
on lees, the bottles are positioned at an angle in riddling racks where they
are slowly turned for several weeks to months until the lees collects in the
neck of the bottle. Through a process called disgorgement, the neck of the
bottle is chilled or frozen, then the bottle is quickly turned upright and the
cap removed. The frozen yeast “plug” pops out, a final serving of sugar is
added (a practice known as doságe), and the bottle is immediately corked. It is
a laborious, time-consuming, costly, and sometimes dangerous process, hence why
Champagne is priced higher than other sparkling wines. Other sparkling wines
can be made in this method, but nonetheless, Champagne remains unique and the
pinnacle of sparklers.
Dry is Sweet and Brut is Dry
Adding
further complexity to the topic of sparkling wine is the classification system
used to describe the style, or perceived sweetness, of sparklers. Unlike still
wine, sparkling wines classified as ‘dry’ taste sweet, and those referred to as
‘brut’ taste dry. It is ultimately the amount of residual sugar from the doságe
(see above) that determines the sweetness level and therefore the style of the
wine. I won’t
bore you with the exact grams of sugar per style, but broken down into a simple
scale, the sweetness levels of sparkling wines are as follows:
#sparklingwine #champagne #wineseminars #tastingnewyork
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